In her early literary works, she used the pseudonym VICTORIANDREA.
Her first poetry collections emerged from a style marked by the exploration of experience, intimacy, and her most vulnerable areas. Pain, uncertainty, and the intensity of a still-developing perspective coexist within them. Over the years, her writing acquired greater distance and depth, without losing the somber dimension that permeates much of her work. After the publication of her first books, the author decided to stop writing poetry. However, during a later period of personal crisis, writing reappeared as an unavoidable necessity: when everything seemed to be reduced to the essential, the pencil and the word remained.
FRONTAL (FRONT)
Published in 1997, individually. His artwork was done by the same author and is a painting called "María", which shows the virgin tying her hair to hawthorn, symbol of stoic suffering of Christ. Although the author claims to be atheist, frequently cites passages from the Bible in his works, surely the product of Catholic educational formation which can not boot up, victimized in this inevitable fate:
"The humidity rises in the face
god vertebrae
a cup of night
bankruptcy air"
And everything flows in nostalgia, longing for love withdrawn, abandoned the dream of mournful remembrance of an adolescence in tatters. Everything resonates:
"The house and its barking
Drowned, deep
a cry towards the inside"
Where:
"The cigarette coughs its last
tear"
It seems that everything runs quietly and everything happens outside it, as if something had flown.
ALTILLO 4 (LOFT 4)
Published in 1994, along with three friends: Lidia Mansilla, Gastón Vergara, Pedro Aguilera, who met the standard literary workshop Sierpe. His artwork was done by the same author, through an ink drawing, which shows the poet's corner, a loft that was provided for all types of situations, and from which the texts were typed built on scraps of paper, where the image is from the outside, with a facade over the attic, which shows the old street Prat and hill Chepe , placing authors in a given geographical location and climate that pervades the imagery of the texts.
The couple talks about love, indifference, homesickness and forgetfulness, being the ever-present sense of isolation and then the passion is eternal under the presbyopia teenager in the duel seems to emerge as the only consequence:
"The drizzle has been stolen
the last metamorphosis
am.
Hails
afternoon of birds"
TELURIA (TELLURIUM)
Published in 1996, along with two college friends: Pilar Cabello and Rebel. His artwork was done by the engraver: Claudio Romo, who at that time, knew little or nothing of poets, and modified many times the cover at the request of editor Marcos Cabal, also a friend (who rents the loft sporadic, funded part of this ), since one of the poets did not pay, then had to get him out, but then attacked them with money and so on.
Tellurium was conceived as a three-voice tremor, which denounces the violence of cloudy days to explode. It is the disenchantment of the home that was hammering rain. It is the threat we live in:
